Karen Biehl

New York, NY, UNITED STATES

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Karen Biehl studied voice with former Metropolitan Opera star Thomas Hayward before completing her master’s degree in opera performance at the San Francisco Conservatory of Music. Also classically trained in both piano and violin, her compositions combine romantic classical lyricism with meditative empowerment to assist listeners in achieving an enhanced and peaceful sense of self-awareness and purposeful focus.

Albums


Cirque de Folie
2020, Halloween
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Karen's Lament
2020, Neoclassical
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The House of Karen: The Attic
2020, Neoclassical
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Falling Leaves
2020, Neoclassical
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Love Theme from "The Godfather"
2020, Pop
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A Time for Us
2020, Pop
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Just Around the Corner
2020, Neoclassical
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Song of the Sylphs
2020, Neoclassical
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The Aftermath (Solo Piano)
2020, Neoclassical
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Song of the Sylphs (Solo Piano)
2020, Neoclassical
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Reflections (Solo Piano)
2020, Neoclassical
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C'est la Vie
2020, Neoclassical
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What Child Is This / Carol of the Bells (Medley)
2019, New Age, Neo-Classical, Christmas, Holiday
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To My Father
2019, Neo-classical
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Echoing Canyon (Piano and Violins)
2019, Neo-Classical
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Echoing Canyon (Solo Piano)
2019, Neo-Classical, New Age
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As It Was, Ages Hence
2019, Neoclassical, New Age
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Starlight Dreams
2018, Neoclassical, New Age
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“Starlight Dreams” reviewed by Pam Asberry

Classically trained vocalist, pianist and violinist Karen Biehl creates music she describes as “combining romantic classical lyricism with meditative empowerment to assist listeners in achieving an enhanced and peaceful sense of self-awareness and purposeful focus.” Starlight Dreams,” her first album of solo piano music, is a collection of powerful tone poems that might serve as background music for guided meditation but are strong enough to stand on their own as individual compositions.
 
The album opens with “Awakenings”, a stirring number which opens the listener to the spiritual musical journey ahead. “Invocation” is plaintive and questioning, like a heartfelt prayer, answered by the subsequent track, the fiery and passionate “Union.”
 
“Meditation on a Moonlit Lake” is peaceful and reflective, its left hand rippling like the surface of the water in the moonlight and right hand chords sparkling like stars in the night sky. The romantic “Chanson des Vents” put me in mind of a Chopin etude, a lyrical study in thirds. Stirring and intense, “On Angel Wings” is meant to depict the release of one’s deepest desires to the universe.
 
The dark and stormy “Raindrops” is the perfect segue into the “Starlight Waltz,” a romantic dance, which is followed by “Promenade,” a tender walk home. “Autumn Amble” is quiet and thoughtful; “The Beginning” shares the joy at the prospect of realizing the dream of starting a new life although there is also a touch of sadness and a hint of regret. As a postlude, “Meditation on a Moonlit Lake – Full Version” is a lusciously orchestrated experience of its own and is my favorite track on the album.
 
With “Starlight Dreams,” Karen Biehl makes a graceful entrance into the genre of solo piano music. Recommended!