Lynn Tredeau


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Lynn Tredeau is an American musician who lives and performs in the Pacific Northwest. She got an early start in music and by the time she was six, her parents arranged for a surprise delivery of her first piano. The surprise part was ruined when Lynn took the call from the delivery company confirming the arrival of her piano, but that didn’t dampen her enthusiasm for playing. She was a natural musician and by the time she was sixteen, Lynn had mastered classical music on her piano, played guitar for her school’s jazz band, flute and clarinet in the orchestra, saxophone in the marching band, and played hymns on the pipe organ at church. Early musical influences range from artists like Nate King Cole to bands like Creedence Clearwater Revival.
She was born in St. Paul, Minnesota. When she and her husband started their family, they relocated to Alaska, where they lived until their children left home to attend college. Lynn taught in the Seattle, WA area until she and her husband retired and settled into rural Idaho. Though she had always wanted to attend college and earn a BA in music, life took Lynn on a different path. She relished her life with her family and devoted most of her time to her husband, children, and home. One year, her husband gifted her with an upright piano to replace the beloved instrument of her childhood. Grateful to have a piano of her own again, she played occasionally—when she could squeeze in a bit of practice between her brood’s many activities. As her children moved into adulthood, music once again became a consuming passion for Lynn. Her dream of owning a grand piano came true, and slowly but surely, she began to transition from playing music others had created, to composing her own original pieces.

After discovering the music of Michele McLaughlin on Pandora, Lynn found her calling in the world of New Age music. She released her debut album, Echoes of Life, in January, 2015, which brought multiple nomination including Best New Artist 2015 by Enlightened Piano. Lynn’s second album, SnowLight (A Christmas Memory), was released in September 2015. It quickly went to #1 on OWMR received many nominations and won Best Holiday Album 2016 at Enlightened Piano Radio. In April of 2016, A New Dream became her third release. This album charted on OWMR top 10 for 8 months, was nominated multiple times and opened a door for Lynn's music to be heard on SiriusXM radio. Album four, titled Shifting Sands, released in May of 2017. After multiple nominations and charting at #8 at Zone Music Reporter, Shifting Sands was nominated for Solo Piano Album of the year at ZMR. Fellowship of Solitude, Lynn's fifth album charted at #7 worldwide and the nominations continued to come. This album was honored with the prestigious Zone Music Reporter (ZMR) 2018 Best Solo Piano Album. She has received glowing reviews: Kathy Parsons of Mainly Piano wrote, “Many of her pieces have a quiet hymn-like quality” and Steve Sheppard from One World Music Radio said, “She has a style that is both gentle and artistically clever…” Dana Wright at New Age Music Reviews noted, “The art of sharing emotion through music has to be one of this artist's greatest talents....” The year 2019 will see Lynn release her sixth album and several joint projects that will take her music into new territory.
Though she suddenly lost both of her parents a decade ago, Lynn knows that they would be thrilled to see how many doors music has opened for her. They were always supportive of her endeavors and her song, Beyond the Veil, from her debut album, is dedicated to the two of them. She continues to build her musical legacy and remains open to any path her journey takes her. She still dreams of returning to the many instruments of her youth and trying her hand at building her own arrangements for future albums. Though she is in the beginning stages of a full-time career in music, Lynn’s prodigious talent and success thus far, ensure that she has a long, fulfilling road in music ahead of her.


A Quiet Path
2021, New Age, Solo Piano

Many Faces of Cassiopeia
2020, New Age

Rest a Moment
2020, New Age

All the Pieces
2019, New Age, Solo Piano

Christmas Paper
2018, Holiday, Solo Piano

Away in a Manger
2018, Holiday, Solo Piano

Fellowship of Solitude
2018, New Age, Solo Piano

Shifting Sands
2017, New Age, Solo Piano

A New Dream
2016, New Age, Solo Piano

Echoes of Life
2015, New Age, Solo Piano

SnowLight (A Christmas Memory)
2015, Holiday, Solo Piano

“A Quiet Path” reviewed by Pam Asberry

“A Quiet Path” is the seventh album release for solo piano artist Lynn Tredeau. After being awarded Best Solo Piano Album 2018 and 2019 at Zone Music Reporter, she spent the year 2020 focusing on single releases and collaborating with other artists. Recent health issues delayed the release of her “A Quiet Path,” but it was well worth the wait. This is a collection of small pieces that capture the essence of life’s small moments because, in the artist’s words, “in each and every one of those moments is a world of possibility, love and grace.” The melodies are simply beautiful; nothing is rushed, and everything feels “just right.” This is music meant to inspire feelings of serenity and contentment, and it does just that– and so very beautifully!

The album opens with the melancholic “Kites and Balloons.” This put me in mind of a memorial balloon ceremony, in which family and friends might release balloons symbolizing letting go of their lost loved one. “Dappled Shade” evokes the dance between sparkling rays of light (represented by the bright upper register of the piano) and dark shadows cast by trees (represented by the deep velvety tones of the instrument) on a wooded path. The nostalgic “Meadowlark” brought to mind the wide-open spaces of the American west; “Many Faces of Cassiopeia,” named for the constellation in the northern sky, is quiet and contemplative, almost a lullaby with its gently rocking ostinato accompaniment and tender, songlike melody. “Moving Mountains” refers to the challenges imposed by accomplishing something in the face of seemingly insurmountable odds. The music begins softly, almost questioningly, gradually builds with a spirit of determination and optimism, and concludes in a glorious strain of victory and triumph. If I had to pick a favorite piece from the album, “Moving Mountains” might just be it!

The midnight hour is sometimes referred to as the “Hush of Night;” this piece is exquisite in its simplicity, as we look back on triumphs and tribulations the day just past and embark on a fresh new beginning. “Moon Gazing” is another simple beauty; just as staring at the moon can relieve anxiety and stress and improve relaxation, so can listening to this music! “Rest a Moment” is clearly an invitation, at once healing, calming and reassuring. “Sunday on the Island” took me back to an early morning stroll along a quiet beach, with nothing but the waves at my feet and an occasional seagull for company: my mind wandering, all my cares floating away with the ocean breezes, my spirit positively soaring. According to Wikipedia, “Saudade is a deep emotional state of nostalgic or profound melancholic longing for an absent something or someone that one cares for and/or loves. Moreover, it often carries a repressed knowledge that the object of longing might never be had again.” Tredeau’s haunting interpretation of “Saudade” resonates with whispers of sorrow and echoes of grief. The album’s final track, “Aeonian” is an eloquent expression of time never ending and the perfect conclusion to this lovely collection.

“A Quiet Path” is a welcome respite from the trials and turmoil of the past several months, as well as a powerful reminder of the things in life that are truly most important. Very highly recommended! 

“All the Pieces” reviewed by Pam Asberry

Lynn Tredeau released her first album in 2015; her fifth title, “Fellowship of Solitude,” was chosen as Best Solo Piano Album of 2018 by Zone Music Reporter. With her sixth release, “All the Pieces,” Lynn continues in the tradition of creating music that has been described as “eloquent, emotional and artistically clever.” It is “a beautiful collection of puzzle pieces that musically fit together to make a whole, resembling the many pieces of one person’s life.”
The album opens with the heartbreaking “Photos Without a Memory” which tells a tale of Alzheimer’s disease. The ostinato left hand patterns put me in mind of Erik Satie; the melancholy, improvisational melody describes the experience of sorting through boxes filled with photographs of people and places that have been sadly forgotten. “Love for a Lifetime” is a poignant tribute to the special person that walks beside you on life’s journey, sharing your dreams and sorrows and offering a safe place to be yourself. “One Drop is an Ocean” explores the delicate upper registers of piano, tinkling throughout like a gentle rainfall. “All in One Place” features a sparkling, upbeat melody over rolling left hand chord accompaniment and is followed by the tender and yearning “910 Taylor.”
The brooding “A Weathered Heart,” with its haunting minor melody splashed with dissonance, describes the way experiences of great joy and deep sorrow leave impressions on the heart just as stones become worn and polished over time. The epic “Sea of Amber” alternates between two themes – one pensive and bucolic, the other glorious and sweeping – and is a favorite. “Bohemian,” with its mysterious Eastern European flair, is another favorite. “Wilson’s Pond” expresses a childlike simplicity and innocence tinged with nostalgia and a subtle sadness. The jazzy “Broken Pieces” is followed by the sentimental “Precious Handprints,” its heartfelt melody singing over a simple left hand accompaniment. The album ends with the beautiful “History Yet to Come,” dark and solemn and emotionally fraught.
Of her composition, Lynn Tredeau says, “Just like most musicians, I compose from my heart and soul. Every song tells a story.” And “All the Pieces” is arguably her most intimate collection of musical stories to date. Recommended!

“Fellowship of Solitude” reviewed by Pam Asberry

Lynn Tredeau is an American musician who lives and performs in the Pacific Northwest and “Fellowship of Solitude” is her fifth album. Her music has received multiple nominations since her debut in 2015 (her holiday album, “SnowLight” won Best Holiday Album 2016 at Enlightened Piano Radio) and it is easy to see why. Tredeau’s style is graceful and elegant, her music unpretentious and evocative.
Believing in the importance of solitude to our emotional health and well being, Tredeau has created an album with pieces providing opportunities for reflection and contemplation, from which we emerge with a renewed sense of resolve and purpose. The title track, “Fellowship of Solitude,” expansive and flowing, sets the perfect tone for the rest of the album. “Traces of Daylight” is upbeat and sparkling, followed by the melancholy “Land of Forgotten Dreams,” a sorrowful reflection on childhood hopes and dreams that will never be realized.
The Owyhee Mountains, located in extreme southwestern Idaho, was one of the areas of the continental United States to be reached by explorers and one of my favorite tracks, “Call of the Owyhees,” speaks powerfully to the rugged beauty and wilderness of this terrain. “Love Leaves a Memory” is an uncomplicated tune making more use of the lower register of the piano. “What Hides in the Dark” refers to the secrets from our pasts that we keep from all but those closest to us. A repeating section of this piece seems to be a conversation between the past (resonant bass octaves) and the present (haunting snippets of melody in the upper register of the piano) – quite fascinating and makes this piece another favorite.
“Afternoon Reflection” is a luscious, soaring musical description of a lazy summer afternoon. “The Time Machine,” is another melancholy rumination, resolved by “Peace in the Midst,” – no matter how much we might wish we could turn back the hands of time and undo past mistakes, we must all make peace with the fact that this is impossible. “Left Behind” is a poignant reminder that though we might have the notion that we have not lived up to our potential we are, in fact, right where we are supposed to be and is followed by “Life is in the Journey,” Tredeau’s reflection on her own life’s path, each new day providing her with the opportunity to learn more about herself and the world around her.
A final favorite, the dark, atmospheric “Purple Fog,” is a departure from Tredeau’s usual style and makes for a contemplative finish to this introspective and engaging musical experience. Very highly recommended!

“SnowLight (A Christmas Memory)” reviewed by Darla Bower

SnowLight A Christmas Memory is a festive kick-off to the fast approaching Christmas holiday season. This album is a combination of Mrs. Tredeau’s arrangements of traditional Christmas carols and her own compositions. This album boasts of melodic rearrangements of favorite Christmas carols but yet invokes a joyful reflection of Christmas season’s past and present with delicate enticement. Each piece has a surprising and different interpretation of classic Christmas carols while showcasing gentle artistry. Several of my favorite Christmas carols are found in this seasonal presentation. The title and CD cover give the impression of fond memories of Christmas past. I am told the photo was developed by Mrs. Tredeau’s son. Each arrangement was appealing to me for their quiet melodic structure and “playability” which will appeal to both music students and musicians alike.
There are several carols on SnowLight that stood out to me. The first track and also the title track of the CD is a wistfully sweet melodic composition. SnowLight begins by whispering a gentle treble flow and continues to give the picture of rhythmic falling snow throughout. I think this piece will become a favorite to play and enjoy year-round. SnowLight lights the way into a magical music journey. My absolute favorite on this CD is Hark the Herald Angels Sing – the intro in this piece foretells an unexpected arrangement of this carol in B flat Major. I loved it! Pines Dressed in Winter evoked the image of pine tree’s flocked with snow even though Mrs. Tredeau said she wrote this piece in the middle of summer. The song does give the listener the imagery that was intended flowing into the upper register which reminded me of tall snow laden pine trees. Colors of a Winter Night is a song about the Northern Lights from her time spent living in Alaska. This piece captures the brilliant colors of each note played in F minor giving a musical portrait of the Northern Lights—loved this one as well. Mrs. Tredeau’s use of both the upper and lower register throughout this CD really drew me in as a listener.
This project has been a wonderful and amazing experience according to Mrs. Tredeau. While doing Christmas arrangements for her students, she decided to do her own compositions and arrangements for a Christmas album. I am so glad she did! This delightful CD will be a welcomed addition to any friend or family gathering of Christmas celebration or even for quiet reflection of holiday solitude. I highly recommend this CD. SnowLight A Christmas Memory is available at:, Amazon, CD Baby and iTunes. ‘Tis the season to turn up the volume and enjoy SnowLight A Christmas Memory.